Generation X – Wikipedia

  1. ^“Gen Xer”. Lexico. Oxford Dictionaries. Archived from the original on 27 February 2020 .
  2. ^‘ Punk Rock – An Oral History ‘, by John Robb. P. 240. ( Pub. P.M. Press, 2012 ) .
  3. ^Cunningham, Guy Patrick (2015). “Generation X”. In Ciment, James (ed.). Postwar America: An Encyclopedia of Social, Political, Cultural, and Economic History, Volume 2. Routledge. p. 596. ISBN 978-1-317-46235-4. The expression was later popularized by the American author Douglas Coupland, who borrowed it for the title of his 1991 novel Generation X: Tales for an Accelerated Culture.
  4. ^Coupland, Douglas (September 1987). “Generation X”. Vancouver Magazine .

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    See original magazine pages 165, 167, 168, See original magazine pages 164 169. The story is continued on p. 194, which was not scanned .

  5. ^Schweikert, Christina, ed. (2017). Changing Business Environment: Gamechangers, opportunities and Risks. New York: Global Business Technology Association. p. 48. ISBN 978-1-932917-13-0.
  6. ^Caforio, Giuseppe (2018). Handbook of the Sociology of the Military. Springer. p. 526. ISBN 9783319716022.
  7. a bMasnick, George (28 November 2012). “Defining the Generations”. Harvard Joint Center for Housing Studies .
  8. ^Markert, J (2004). “Demographics of Age: Generational and Cohort Confusion”. Journal of Current Isues and Research in Advertising. 26 (2): 11–25. CiteSeerX 10.1.1.595.8209doi:10.1080/10641734.2004.10505161. S2CID 146339931.
  9. ^Schewe & Noble, CD & SM (2000). “Market Segmentation by Cohorts: The Value and Validity in America and abroad”. Journal of Marketing Management. 16: 129–142. doi:10.1362/026725700785100479. S2CID 168041998.
  10. ^William Strauss, Neil Howe (1991). Generations. New York: Harper Perennial. p. 318. ISBN 978-0-688-11912-6.
  11. ^Henseler, Christine (2012). Generation X Goes Global: Mapping a Youth Culture in Motion. Routledge. pp. xx. ISBN 9780415699440.
  12. ^Thomas, Susan (9 July 2011). “The Divorce Generation”. The Wall Street Journal .
  13. ^Amadeo, Kimberly (31 January 2020). “Reaganomics”. The Balance .
  14. ^di Lorenzo, Stefano (2017). Reaganomics: The Roots of Neoliberalism. Independently Published. ISBN 9781973163299.
  15. ^Saettler, Paul (1990). The evolution of American educational technology. Libraries Unlimited. p. 166. ISBN 9780872876132.
  16. ^Younie, Sarah (2013). Teaching with Technologies: The Essential Guide. McGraw-Hill Education (UK). p. 20. ISBN 9780335246199.
  17. ^Mourot, Jean J. (2013). La dernière classe 1984-1990. Le Scorpion Brun. p. 71. ISBN 9791092559002.
  18. ^Erickson, Tamara J (2009). What’s Next, Gen X?: Keeping Up, Moving Ahead, and Getting the Career You Want. Harvard Business Review Pres. ISBN 9781422120644.
  19. ^US Congress, Senate Committee on Finance Staff (1999). Education Tax Proposals: Hearing Before the Committee on Finance. US Government Printing Office, 1999. p. 99. ISBN 9780160581939.
  20. ^Ericksson, Tamara (2009). What’s Next, Gen X?: Keeping Up, Moving Ahead, and Getting the Career You Want. Harvard Business Review Press. ISBN 9781422120644.
  21. ^

    Walsh, Carl E (1993). “What caused the 1990-91 Recession?”. Economic Review: Federal Reserve Bank of San Francisco: 33.

  22. ^. Erickson, Tamara (2012). What’s Next, Gen X?: Keeping Up, Moving Ahead, and Getting the Career You Want. Harvard Business Pres. ISBN 9781422156155.
  23. ^Erickson, Tamara (2010). What’s Next, Gen X?: Keeping Up, Moving Ahead, and Getting the Career You Want. Harvard Business Press. ISBN 9781422156155.
  24. ^Weinstein, Deena (2015). Rock’n America: A Social and Cultural History. University of Toronto Press. p. 237. ISBN 9781442600188.
  25. ^Wang, Cynthia (2019). 100 Questions and Answers About Gen X Plus 100 Questions and Answers About Millennials. Front Edge Publishing. ISBN 9781641800488.
  26. ^Torres-Coronas, Teresa (2008). Encyclopedia of Human Resources Information Systems: Challenges in e-HRM: Challenges in e-HRM. IGI Global. p. 230. ISBN 9781599048840.
  27. ^Koidin, Michelle (11 October 2001). “After September 11 Events Hand Generation X a ‘Real Role to Play'”. Seattle Post-Intelligencer.
  28. ^Klondin, Michelle (11 October 2001). “After September 11 Events Hand Generation X a ‘Real Role to Play'”. Seattle Post-Intelligencer.

  29. ^Johnson, Maria (20 September 2001). “Greatness Alive in Generation X Young Americans Show Patriotism in the Wake of the Terrorist Attacks Sept. 11”. Greensboro News & Record.
  30. ^“Volunteering in the United States” ( PDF ). Bureau of Labor Statistics – U.S. Department of Labor. 22 February 2013. p. 1 .
  31. ^Henseler, Christine (2012). Generation X Goes Global: Mapping a Youth Culture in Motion. Routledge. p. 15. ISBN 9780415699440.
  32. ^Sally, Marthaler (2020). Partisan De-Alignment and the Blue-Collar Electorate in France. Springer Nature Switzerland AG. p. 59. ISBN 9783030354671.
  33. ^Henseler, Christine (2014). Generation X Goes Global: Mapping a Youth Culture in Motion. London: Routledge. p. 188. ISBN 9780415699440.
  34. ^Bolton, Paul (27 November 2012). “Education: Historical statistics”. House of commons Library .
  35. ^“Increasing Youth Voter Turnout” ( PDF ). London School of Economics and Political Science. December 2018.
  36. ^Henseler, Christine (2012). Generation X Goes Global: Mapping a Youth Culture in Motion. Routledge. p. 148. ISBN 9780415699440.
  37. ^Isaksen, Judy L. (2002). “Generation X”. St. James Encyclopedia of Pop Culture. Archived from the original on 24 October 2004.
  38. ^“Punk”AllMusic. in both the U.K. and the U.S. In America, punk remained an underground sensation, eventually spawning the hardcore and indie-rock scenes of the ’80s, but in the UK, it was a full-scale phenomenon. In the U.K., the Sex Pistols were thought of as a serious threat to the well-being of the government and monarchy, but more importantly, they caused countless bands to form.
  39. ^Roderick, John (27 February 2013). “Punk Rock Is Bullshit: How a Toxic Social Movement Poisoned Our Culture”. Seattle Weekly. For those of us who grew up in the shadow of the baby boom, force-fed the misremembered vainglory of Woodstock long after most hippies had become coked-out, craven yuppies on their way to becoming paranoid neo-cons, punk rock provided a corrective dose of hard truth. Punk was ugly and ugly was true, no matter how many new choruses the boomers added to their song of self-praise. It was this perceived honesty that we, the nascent Generation X, feared and worshipped. But over time punk swelled into a Stalinistic doctrine of self-denial that stunted us. The yuppies kept sucking, but by clinging to punk we started to suck too.
  40. ^“The History and Evolution of Punk Rock Music”. liveabout.com. 10 April 2018. By the late ’70s, punk had finished its beginning and had emerged as a solid musical force. With its rise in popularity, punk began to split into numerous sub-genres. New musicians embraced the DIY movement and began to create their own individual scenes with specific sounds.
  41. ^Slate, John H. “Punk Rock”. Handbook of Texas Online. Texas State Historical Association .
  42. a bDanton, Eric R. (6 November 2005). “The Conflicted Musical Legacy of Generation X”. Hartford Courant. Archived from the original on 23 November 2018. Punk was the first musical reaction to the classic-rock ethos of the Woodstock generation. The original punk rockers were late-period boomers eager to distance themselves from the supercilious upper end of their demographic, and their music, reflecting the dour economics of the late ’70s, became a template for Generation X and the ensuing “post-punk” movement that eventually birthed grunge.
  43. ^Guzman, Richard (28 December 2015). “Grunge, rap music movements of the early 1990s became Gen X’s soundtrack”. Press Telegram. The Gen X soundtrack was more of a mixtape that ranged from feel-good dance and pop music, to punk, glam rock, new wave, alternative and rap.
  44. ^Savage, Jon. “Punk”. Encyclopædia Britannica. Punk’s full impact came only after the success of Nirvana in 1991, coinciding with the ascendance of Generation X—a new, disaffected generation born in the 1960s, many members of which identified with punk’s charged, often contradictory mix of intelligence, simplicity, anger, and powerlessness.
  45. a b

    Felix-Jager, Steven (2017). With God on Our Side: Towards a Transformational Theology of Rock and Roll. Wipf and Stock Publishers. p. 134.

  46. ^

    Music Cultures in the United States: An Introduction. Ed. Ellen Koskoff. Routledge, 2005. p. 359

  47. ^

    DiBlasi, Alex (2013). “Grunge” in Music in American Life: An Encyclopedia of the Songs, Styles, Stars and Stories that Shaped Our Culture, pp. 520–524 [520]. Edited by Jacqueline Edmondson. ABC-CLIO

  48. ^

    Strong, Catherine. Grunge: Music and Memory. Routledge, 2016. p. 19

  49. ^

    Gina Misiroglu. American Countercultures: An Encyclopedia of Nonconformists, Alternative Lifestyles, and Radical Ideas in U.S. History. Routledge, 2015. p. 343

  50. ^

    Green, Tony, in Wang, Oliver (ed.) Classic Material, Toronto: ECW Press, 2003. p. 132

  51. ^

    Rose, Tricia. Black Black Noise: Rap Music and Black Culture in Contemporary American. Hanover: Wesleyan U, 1994. Print.

  52. ^

    Richard Linklater, Slacker, St Martins Griffin, 1992.

  53. ^Russell, Dominique (2010). Rape in Art Cinema. Continuum International Publishing Group. p. 130. ISBN 978-0826429674. In this vein, Solondz’ films, while set in the present, contain an array of objects and architectural styles that evoke Generation X’s childhood and adolescence. Dawn (Heather Matarazzo) wears her hair tied up in a 1970s ponytail holder with large balls, despite the fact her brother works at a 1990 Macintosh computer, in a film that came out in 1996.

  54. ^Henseler, Christine (2012). Generation X Goes Global: Mapping a Youth Culture in Motion. London: Routledge. p. 189. ISBN 9780415699440.
  55. ^Christine, Christine (2007). Generation X Rocks: Contemporary Peninsular Fiction, Film, and Rock Culture. Vanderbilt University Press. p. 21. ISBN 9780826515643.
  56. ^Henseler, Christine (2012). Generation X Goes Global: Mapping a Youth Culture in Motion. Routledge. p. 180. ISBN 9780415699440.

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